The Alice novels have got their place. The popular success of Tim Burtons recent 3D picture reminds me that this Victorian story never gone out of fashion. Since Charles Dodgson, reclining on a punt in Oxford, told the tale to Alice Liddell (age 5 or 6) it has become the archetypal English children’s narrative in a land famous for its sons’ and daughters’ stories. It is also among the few English children’s stories that feature a heroine. His contemporaries inspired that many stories taking up the thread of Alice’s adventures appeared in print soon after Alice In Wonderland was published. The popularity of girls literature may have been stimulated at the turn of the century, for instance with magazines and annuals. Alice offered security and comfort, particularly during the raging of world wars, being keenly read and widely. During the nineteen-fifties, in a search for a brand new and savage writing, its likely. Alice became less appealing to English school examiners, being quite nonsensical and no one appeared to join the’Twas brillig, and the slithy toves…’ of Lewis Carroll to the language James Joyce was credited with devising although now it’s easy (to see) Carroll’s influence on him.
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But Alice was not to remain in the nursery for long. This turned with childrens books selling in greater quantities, in the past two decades of the century, and hence it was again adopted by scholarship from GCE to PhD. Cults came forth and rose, and more research developed on his references, his mathematics, poetry and Lewis Carroll into the new millennium. Along with the focus given to this fairly darker side of Alice and her adventures, there are of course its detractors who point out that photographs Lewis Carroll took of young girls, although always in proper Victorian attire, bordered on paedophilia. Much is written on the’other side’ of the Victorian era known, thanks to Queen Victoria herself, for its moral rectitude. What actually occurred in the lives of average folk is more likely to be learned from family histories, letters, private journals and autobiographies than well-known novelists, such as Dickens and the Brontes. The line that was conventional was toed by publishers in those days.
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Today, with members of the Catholic clergy revealed as perpetrators that are prime, we can take a more liberal approach to Lewis Carroll’s pictures and his open love and admiration for young girls. Like Catholic priests, he was childless and these pictures could happen to be a way into the World of Children through which he had to peer in order to champion them. And he did. The sadistic repression of Victorian ladies that are young was unkind, both at school and at home. When he advised his young charges to go paddling at the seashore with him bringing them with which to tie up their voluminous petticoats safety pins, we can draw two conclusions. Either he had a love because of their ankles or enjoy the freedom of the beach, which was just becoming socially acceptable for it being popular and he merely needed to find them run about. Carrolls Alice was never able to leave home and go in search of adventure, she’s a heroine who may never escape’the nothingness’; a little girl who will always reside in the never-never land of childhood. Although this possibility doesn’t appear until the ending of the movie, though Alice in Wonderland, the film, also sees Alice as a nubile young girl with the probability of a real life before her.
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